Rajasthani Costumes & Jewelry are an integral part of the state’s vibrant cultural identity and traditional heritage. In the subject of Rajasthan Art & Culture, these traditional attires and ornaments reflect the region’s rich history, social values, and skilled craftsmanship. The colourful garments and intricately designed jewellery symbolize the lifestyle, status, and artistic excellence of the people of Rajasthan.
Rajasthani Costumes
- The clothing of any region is influenced by its climate, available resources, and culture. The most prominent feature of Rajasthani attire is its ‘colorfulness’ (rang-birangapan).
- That is why it is said:
“Maru thare des mein upjai teen ratan,
Ik dhola dooji marvan teejo kasoomal rang”
Men’s Attire
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Attire 157901_eb1047-fa> |
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Pagdi (Turban) 157901_f23fb0-59> |
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Angarkhi 157901_3664af-81> |
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Achkan 157901_b8400a-4e> |
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Dhoti 157901_ad7def-1a> |
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Ghughi 157901_b84d6c-aa> |
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Birjas / Breeches 157901_6dda31-23> |
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Kamarband / Patka 157901_0f7858-8e> |
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Pajama / Suthan 157901_906f94-4e> |
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Women’s Attire
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Attire 157901_bde9ae-d8> |
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Upper Body Garments (from waist upwards) 157901_0ba2b2-c9> |
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Lower Body Garments (worn from waist downwards) 157901_23a7e8-c0> |
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outer garment 157901_4653ae-ef> |
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Tribal Attire
| Attire | Details |
| Angocha | Head covering garment tied by Bhil men |
| Jamsai | Tribal wedding saree with flower-leaf patterns |
| Nandna / Naandra | Ancient blue printed cloth worn by tribal women |
| Phadka | Kathodi women’s saree in Marathi style |
| Potiya / Potya | Garment / safa tied in place of pagdi among tribals |
| Dhepara | Tight dhoti worn by Bhil men |
| Khoytu | Langoti (loincloth) worn by Bhil men |
| Sinduri | Red saree worn by Bhils for marriage |
| Piriya | Yellow lehenga of Bhil bride |
| Kachabu | Knee-length ghaghra worn by Bhil women |
| Lugda (Angocha Saree) | White background with red dots/bindi patterns |
| Reja | Garment worn by married Sahariya women |
| Rensai | Printed lehenga (black background with red-brown dots) |
| Khusni | Tight pajama worn by Kanjar women |
Rajasthani Jewelry
Literal meaning of jewelry – Ornament, adornment. These ornaments are used to make the body beautiful and attractive.
History
- Since ancient times, people in Rajasthan have been lovers of beauty.
- Women of the Kalibangan and Ahar civilizations wore ornaments made of clay beads and shiny stones.
- In the Shunga period, women used clay ornaments. At that time, ornaments made of ivory were also used.
- Gradually, with the passage of time, changes came in ornaments and currently ornaments made of metals like gold, silver, copper etc. are in vogue.
Women’s Jewelry
Head Ornaments
| Ornament | Details |
| Chudaman | Ornament known as Sheeshphool |
| Tika, Tikda | Ornament worn on women’s head |
| Tidi Bhalakau | Special ornament for women’s forehead (lalata / bhaal) |
| Phoolgoodhar | Special silver (rajat / chandi) ornament woven on the head (sir) |
| Gophan | Ornament woven into women’s braided hair (veni / choti) |
| Bor, Borla | Round-shaped ornament worn on the head. (The moon-shaped part is called Modiya) |
| Rakhdi | Symbol of suhag (marital status), head ornament similar to Borla. Considered synonymous with the sun and power. (Gedi, Sari/Nali are related to it) |
| Mavti | Ornament adorned in the parting (maang) of women’s hair |
| Sohli, Siwtik | Ornament adorning the forehead (lalata / maathe) |
| Sheeshphool | Fine gold chain-like ornament worn at the back of the head |
| Memand | Famous ornament worn on the head by women |
| Saildau / Seldau | Ornament woven into women’s braided hair (veni / choti) |
| Tika / Tilak | Ornament in the shape of a flower worn exactly in front of the rakhdi or borla. |
| Bindi / Tiki | Traditional mark applied on the forehead (lalata) by married women (suhagin striyan). |
| Other Head Ornaments | Kachar, Rakhdi, Sarkayaro, Saankli, Tavita, Sinagar Patti, Suwal Lakau, Maang Tika, Maang Phool, Main, Modiyau, Mor Meendali, Gedi, Tilak Mani, Khecha Devad etc. |
- In Veli Krishna Rukmini Ri, Prithviraj Rathore mentioned the tilak hanging on the maang while describing Rukmini’s shringar (adornment).
- Lalatika – Mentioned in Panini’s sutras
- In Ajmer Museum, clay yakshini statues from Nagari show tied bor (borla), sheeshphool, and patri ornaments, along with totia (ear ornaments)
- In Harshacharita, mention of golden plates used to tie kings’ hair, called balapash
- Eye ornament – Badli
| Ornament | Details |
| Erangpatto | Women’s ear ornament, also called ‘Jhumrawali Totiya’ |
| Oagniya | Ornament worn on the upper part of the ears. Its shape resembles a betel leaf (paan) or peepal leaf |
| Kheentli | Traditional ornament worn in women’s ears |
| Jhumki | Ornament made of gold or silver with small bells (ghunghru) attached at the bottom |
| Karnphool | Flower-shaped (pushpakar) ornament worn on the lower part of the ear, often studded with gems |
| Laung | Ornament made of gold or silver wire in the shape of a clove (laung spice), with a knob-shaped gem on top |
| Moruvar | Beautiful ornament shaped like a peacock (mor), hung from the ear |
| Toti | Round disc-like ornament with a stem at the back to wear in the ear |
| Jhuntanau | Specific ear ornament for women |
| Chhailkadi | Special type of chain or ornament worn in the ear |
| Other Ear Ornaments | Jhelo, Kudkali, Kokarun, Gurdao, Chhailkadi, Jhaal, Jhuntanau, Jhuman / Jhumhar / Jhumka, Thoriyau, Dargaliyau / Dugurli, Tadkali, Pattisuraliya, Pasau, Peepalpaan, Bala, Boojhli, Makdi, Latkan, Vedlau, Sandol, Surgawali, Suraliyau, Jamela, Bhachuriya, Murki, Murkiya, Madikadkam (men’s ear ornament) |
Nose Ornaments (Naak ke Abhushan)
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Teeth Ornaments
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Neck Ornaments
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Haar (varieties) 157901_03fdae-ed> |
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Maala (varieties) 157901_03270f-8e> |
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Other Ornaments 157901_b911b5-3a> |
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Arm Ornaments
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Bajubandh / Utarno 157901_d1cbd8-95> |
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Hand / Wrist Ornaments
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Aamla 157901_16fdbb-ed> |
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Finger Ornaments
| Ornament | Details |
| Binti / Mundad | Circular ring or ring worn on fingers. |
| Jhota | A special thick ring with three loops (circles). |
| Patta Binti | Silver ring given to the bride by the groom’s side before engagement or marriage ceremony. |
| Pavitri | Ring made from a mixture of copper and silver, considered auspicious from a religious perspective. |
| Anguthalau | Ornament specifically worn on the thumb. |
| Arsi | A large ring worn on the thumb, often with a mirror embedded. |
| Mursi | A traditional ornament worn on fingers |
| Others | Damana [Chain in the middle two fingers], Hathpan [In ring and index fingers] / Hathphool [In all five fingers]/Khaddavano |
Waist Ornaments
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Foot Ornaments
| Ornament | Details |
| Jhanjhar | Anklet-like ornament, famous for its sweet tinkling sound (runjhun ki madhur awaaz) |
| Makiyau | Traditional ornament worn on the feet by women |
| Newri | Anklet-like ornament, often worn along with aamla |
| Payal / Payjeb | Also known as Ramjhol or Shakuntala |
| Tankaa / Tanko | Round silver ornament that produces a ‘tank-tank’ sound while walking |
| Lachau | Special foot ornament made of fine silver wires |
| Rol | Anklet with bells (ghunghru-dar) worn on the feet |
| Other Foot Ornaments | Newar, Peejanni, Payal, Paadsakalika, Teghad, Taanti, Jhanjhar, Sinjni, Kankani, Payal, Shankutala, Payjeb (Ramjhol), Newri, Nupur, Painkoomjaniya, Tankaa, Ghunghru, Aamla, Kada, Langar, Jhanjhar, Toda-Chhoda, Anotpol, Kadlau, Jhankartan, Tankau, Todrau, Todau, Todasat, Makiyau, Masuriyau, Rol, Lachau, Heera Naami, Hirnaamain, Teghad etc. |
Foot Ornaments
| Ornament | Details |
| Jhanjhar | An anklet-like ornament, which is famous for its sweet jingling sound |
| Makiyo | A traditional ornament worn by women in the feet |
| Nevari | An ornament like an anklet, which is often worn with amulets |
| Payal / Payjeb | It is also known by the name of Ramjhol or Shakuntala |
| Tanka / Tanko | A circular silver ornament that produces a ‘tank-tank’ sound while walking |
| Lachho | A special foot ornament made of fine silver wires |
| Rol | A bell-studded ornament worn in the feet |
| Others | Nevar, Pijanni, Payal, Padasakalika, Teghad, Taanti, Jhanjhar, Sinjni, Kankani, Payal, Shankutala, Payjeb, (Ramjhol), Nevari, Nupur, Painkoomjaniya, Tanka, Ghungroo, Aawala, Kada, Langar, Jhanjhar, Toda-Chhoda, Anotpol, Kadlo, Jhankartan, Tanko, Todaro, Todo, Todasaat, Makiyo, Masuriyo, Rol, Lachho, Hiranami, Hirnamain, Teghad etc. |
Toe Ornaments
| Ornament | Details |
| Bichhiya / Chootki | A symbol of marital status, which is worn by married women on the toe next to the big toe of the foot |
| Pholri | A ring worn by making a flower shape with fine silver wires |
| Pagpaan | Pagpaan, similar to hathphool, is worn by joining the rings of the toe and fingers of the foot with a chain and hooking it on the upper part of the foot like an anklet on the occasion of marriage |
| Nakhliyo | A traditional ornament worn in the toes |
| Dolikiyo | A specific ornament for the toe |
| Golya | Broad and plain silver rings which are worn in the feet |
| Others | Angoothalo, Goothalo, Gaur, Lachhne, Golya, Chhalla, Beechudi, Jod [Jodhpuri Jod, Hawaijahaj ki Jod] |
Men’s Ornaments
| Ornament | Details |
| Chood | An ornament worn in the hands in the form of a round bangle. (Others for hands: Moorat, Thala, Taati) |
| Kalangi | An ornament worn on the safa. |
| Balevda | An ornament worn around the neck by men. (Others for neck: Chain, Paidal, Mandaliya, Ramnami, Tabeez, Janter, Chauki) |
| Sehra | A safa/turban worn by the groom at the time of marriage. |
| Murkiyan | A circular ornament worn by men in the ear. (Others for ear: Loong, Jhale, Baliya, Oganiya, Chhailkadi) |
| Chauki | An ornament worn around the neck, on which an image of deities is made. |
| Rakhan or Choomp | This ornament made of gold or silver is worn on the teeth (for both men and women). |
| Madikadkam | An ear ornament for men. |
| Mathi | Bangles worn on the wrist of men. (Others for wrist: Kada, Kankana) |
| Todar | A gold ornament for the feet of men. |
Children’s Ornaments
| Ornament | Details |
| Nazariya | An ornament worn around the neck by tying a gold piece, moong bead, and ratanchaṇ in a red cloth, so that ratyavadi (गाँठगूमडे) do not occur. |
| Jhanjhariya or Painjani | A thin chain worn in the feet of children, in which small bells are attached. |
| Kado or Kandoolya | Bangles worn in both the hands and feet of children. |
| Kudak | Gold, silver, or zinc wires worn by piercing the ears of small children; through which later loong or bali is worn. |
| Kanth/Hansuli | A protective ornament worn around the neck |
| Murki | Kudak (ear ornament) made of solid gold. |
Types of Lac Bangles
| Ornament | Details |
| Padla Chooda | Plain red mutiya chooda (heengal ka chanda / suhag ka chooda). It comes from the in-laws’ side along with bari-padla before the wedding. |
| Lahariya Chooda | Worn by newly married women in Shravan month. It has diagonal stripes in white, red, blue, and yellow colors. |
| Chaubanda Chooda | Set of four banded chooda prevalent in Kota-Bundi region. |
| Panchbanda Chooda | Set of five banded chooda prevalent in Bhilwara, Ajmer, and Jodhpur. |
| Teen Lada | Chooda specially worn by women of the Gurjar community. |
| Paat ka Chooda | Silver paat chooda (barpoi) worn by tribal women in Udaipur region during marriage. |
| Vanya Chooda | Chooda worn by unmarried girls in Udaipur region. |
| Kateer ka Chooda | A special type of chooda prevalent in Udaipur region. |
| Dhoopchhaon Kada Set | Set of two thick lac bangles, also called Kranti or Rainbow. |
| Other Types | Laal Patti Chooda, Jalebi ka Chooda, and Cheer ka Chooda. |
